Handmade Business Cards

After creating my mini portfolio from an unused Filofax binder I decided to make some matching business cards that I could give out to prospective clients.  I decided to go down the handmade route as I wanted to be able to showcase my work and my creativity too and for the cards to stand out from others and be memorable.

I started off by printing my images onto photo paper as a contact sheet and cutting them down to size. I then mounted the images onto black cardstock and cut them out with scissors leaving a small edge around the image.  I mounted these images onto unused black and white 35mm film – the use of this was to add texture while linking the images to photography and what I do – it shows my job role even before the reciever reads the blurb on the card.  I then cut some black cardstock to size using a guillotine and typed up what information I wanted on my business card – I included my business email, mobile number, blog and Facebook page.  I left off my etsy and Instagram, deciding that if the reciever was that interested and went to any of the sites mentioned they could soon find the rest of my sites.  I duplicated the information enough times for the amount of cards I needed using word on the PC and printed it all out on normal white paper.  I then cut the information out and stuck the information for the back of the card to the cardstock already cut.  I then added the prepared images of my work and decided where to place them on the front of my cards along with the the front information.  I decided to make each card slightly different and unique.

 

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Anti Journal, Personal Art Journal and…. The Mindfulness Colouring Book

I managed to get a few pages done in my Anti Journal last week, and also make a start on my Personal Art Journal which I had been wanting to start for a while, due to absence from work as I came down with a sickness bug that left me feeling really poorly and lacking in energy.  All I seemed to have the energy to do was crawl out of bed and down onto the sofa and cwtch up with my pencil-case and creative books (and the puppies of course!).  So in the 3 days I was off ill I managed the following pages….

 

Anti-Journal – Find Wonder In Nature

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My inspiration for this page came from the metamorphosis of a caterpillar into a butterfly.  I have always been astounded at how one creature can turn into another over time, its kind of like a natural Pokémon!  As a child I used to collect caterpillars, watch them turn into chrysalis’ before hatching out into butterflies and letting them go free and it always felt a bit magical to watch these beautiful creatures emerge from these leathery looking hard cases.  So that was my inspiration “Find Wonder in Nature” – the life-cycle of a caterpillar.

I used Triplus Fineliner pens to create the drawing and add colour to the shapes and watercolour for the background sky as I wanted it to be just a wash of colour.  I chose to “scribble” in the colour on my drawings as I felt that the block colour of the felt pens I like using would be too heavy for this image, I wanted to keep the images light and playful and create a sense of movement whilst still being able to add some detail and have control over the texture of the image.

 

Anti-Journal – Make Each One Different

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I started on this page ages ago and finally got around to finishing it last week.  I didn’t have any real idea of what direction to go in for this page I just knew that I wanted to create something that could look like the patterns from inside marbles or replicate small bouncy balls so I kept that in mind.  This page seemed to be the most difficult so far as I ran out of ideas for each circle before I was even half way through and had to keep leaving it and coming back to it in order to finish it.

I used felt pens to create this page.

 

Anti-Journal – Radiate

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Radiate to me conjures up images of the sun, heat and circles and that is what I tried to convey in this image.  The sun gives off both heat and light and light is made up of a spectrum of colour which I wanted to show.  I used circles to create a spiralling pattern around the centre circle as the typical spiral radiates outward in motion.  I decided to use a black for the background, graduating it in-depth of tone from the lightest tone toward the pattern and getting darker toward the edges to convey a sense of light.

I used felt pens to colour the 2 centre layers of the pattern and a mix of felt pen and watercolour to create the 3rd layer of tonal graduation.  A gel roller ball pen was used to outline each section of the pattern.

 

Anti Journal – Plan The Route From Where You Are To Where You Want To Be

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In my life my general plan is to get from A to B, regardless of whether it is actual travel, planning my future or making plans for something.  I decided to incorporate this into my fictional map.  I added roundabouts and junctions, trees and greenery and a few streams as to me my route anywhere should be calm but interesting and grass, trees and water are calming sites to me (probably from living in Wales for much of my life!  There’s nothing better than being able to view nature from wherever you are!)

I used Staedtler Triplus Fineliners for this image.

 

Anti-Journal – Repeat One Action Over And Over

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I started this page by drawing really uniform, different coloured swirls over the page, (if you look hard, you can see them!) but didn’t really like it so after leaving the page and thinking about it for a while I decided to go back over the page and repeat the swirl but in different sizes over the top of what I had already done, getting the swirl to overlap with other swirls.  I like this page loads though I’m not sure I have finished with it yet and may go back to add more to it at some point.

I used Staedtler Triplus Fineliners for this page.

 

Anti-Journal – Its Raining Colour

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I had a few ideas about how I wanted to create this page but decided to go with colour drips   I decided on this as I wanted the page to look like it had been rained on.  And thought the page looks simple it took an age to complete! I had to wait  for each set of colour drips to dry before I added the next lot of colour as I didn’t want the colours to run into each other!  I used my Aquash brush and watercolour paints to create this page.  The Aquash brush was the best choice as it has a tank to hold the water and a brush end, a bit like a pen.  I was able to pick up paint colour onto the brush and hold it over the page while squeezing the body of the brush slightly to control water flow to the brush and creating drops.  I am pretty happy with this page so far but think that adding more depth to the drops may be a good move, and also adding a further sense of “rain” by exaggerating the splashes that were created.

For this page I used Aquash watercolour paints and brush.

 

Anti-Journal – A Photo of a Photo of a Photo of a Photo

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This one is kind of self-explanatory and I’m not sure if I like it too much as it seemed to me to be the easy route to getting a page done.  That, and my Instax Mini 8, which I took the images on, didn’t seem to focus very well so the images are all blurry.  However, it is done and was more of an experiment to see how my camera would react to indoor photography.  I might change the page at some point.

 

Personal Art Journal

I decided to start a personal art journal as I have been missing my experimental sketch books that I used to have when doing my Foundation course.  I always enjoyed being creative and experimenting with ideas on those pages and felt that this was something to re-start again.  That and getting the encouragement from my Wreck This Journal and Anti-Journal to continue with letting the creativity flow and continue.  I’m not sure I am going to title the pages yet as sometimes I have no specific idea of what I want to create, yet I know I want to create a certain mark on the page before me.  …so here it is, my Personal Art Journal.

Personal Art Journal – Page 1

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This was the first page I created, it was a damp and miserable day, and it was stupidly cold (possibly in part due to me running a temperature and being ill).  I was missing summer and the bright, colourfulness of the season so I set about with my watercolours, creating a graduated sunrise/sunset sky.  After waiting for the page to dry I wanted to add a pattern to the page so I let my pen decide where to go, I wasn’t really focusing on what I was doing, and came up with a pattern of layered petal shapes.  I added the dots and the wavy lines at the end as I felt that the page could do with something to lift it more.  It’s strange to say it, but the image reminds me of a pineapple, the one fruit that I associate most with summer, and I had subconsciously included that into my image!

 

Personal Journal – Page 2

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This page was created not long after the first, and though I was still ill, I was starting to feel better in myself.  I had a dream about shapes, swirling and moving about, changing and flowing and woke up so calm and refreshed that I wanted to try to capture what had been in my dream.  I chose to use bright colours to capture the energy that I had felt upon waking and the circles, triangles and wavy line to capture movement, and to represent water flowing as that was how it had appeared in my dream.  perhaps this flowing movement had aided my calmness when I woke?  The image took an age to create as every time I stepped away from it to look at it, it felt like there was something missing, even once I had finished, however now, looking at it, I am entirely happy with how it turned out and still makes me feel calm and refreshed.  I feel like I have captured what I set out to and that it is a good representation of my dream.

 

The Mindfulness Colouring Book by Emma Farrarons

I know I said a few posts back that I wasn’t going to buy another “creative” book until I had finished my Wreck This Journal and Anti-Journal, but I kept stumbling over this book on Instagram, Facebook, on Amazon as a suggested purchase and on blog reviews.  I never set out to buy this but when out shopping I spotted it out of the corner of my eye and had to check it out.  Let me say this, it was love at first sight!  The designs are intricate and lend themselves to so many different methods of “colouring them in” and the paper quality is good enough that even brand new felt pens don’t bleed colour through them.  The only down side I had to the book, is that it is really hard to crack the spine to get the images to lay flat and get into the crevice to finish colouring the page properly, its like it’s too well made!  But aside from that little bug, I really do like this book!  (And incase you were wondering I purchased this from my local WHSmith’s store as I couldn’t wait for it to be delivered to me if I had bought it on the net!!!)

I’m not going to write explanations of these as they are pretty self-explanatory, I have just added colour to the image in ways that are pleasing to me 🙂

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The Mindfulness Colouring Book – My First Page

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The Mindfulness Colouring Book – Page 2

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The Mindfulness Colouring Book – Page 3

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Wreck This Journal Pages 6 – 9

Here’s my most recent pages, 6 – 9.  This past week I have surprised myself and managed to complete 4 more pages, 2 of them were completed on the same day which helped a lot!  Each of these pages probably had between 2 and 5 hours work put into them 🙂

Here you go…

Page 6

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This is a close up of the page I completed – “Draw Thick Lines And Thin”

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And this is the full-page!  I chose to do “ribbons” of colour that overlap and weave around the other lines as the subject for this piece.  Originally I wasn’t going to have a background colour but towards the end of colouring the lines I felt that it needed something to make the colours “pop” so chose this blue colour.  I used felt tips for the colour and chose to use an unbranded gel pen to make the lines.  I really like using felt pens as it is quick and easy, the colour is stable and the saturation more consistent than when using pencils… well, until your marker decides to run out toward the end (note the middle bottom section which isn’t as evenly coloured as the rest of the blue sections).  That is probably the only thing that I’m not entirely pleased about with this image and can see myself re-colouring it at some point in the future!

Page 7

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Here’s a close up of the start of this page which gives the instructions to “Document Time Passing”.  I had several ideas for this page but upon putting pen to paper, this is what happened…

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I went with a clock face theme and the words “tick tock” written over and over in different sized letters.  This image was inspired by school exams and times when you are bored, all those times when you are super aware of the minutes passing by, when you can hear the tick tock of the clock, minutes can feel like hours and hours can feel like minutes.

I used my Staedtler Triplus Fineliner pens for the outlines of the image and generic felt pens to colour the words.  For the background grey colour I used Aquash watercolour pencils and water brush.

Page 8

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This is the page I created for “This Page Is a Sign, What Do You Want It To Say?”.  I chose the words “Dream Big and Believe” as it is a saying that I try to remember when I need motivation.  I chose to do the lettering in my handwriting and fill the blank spaces with swirls and dots as it seemed to fit the theme of the quote really nicely.  I kept the colour theme to one shade of blue and one shade of pink, partly to fit in with the “dream” wording and because it just felt like the best colours to use for the page.

Page 9

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 Heres a close up of the page “Document a Boring Event in Detail”…

And the full thing…

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I decided to create the page using the phrase “It Was Really Boring” as when I get asked about a boring event that has happened that is how I normally respond.  I used the speech bubbles with “Blah Blah Blah” and “Yada Yada” as when I have to recall things that were said I can never remember them and it seemed fitting for this theme!  I also included the words “Yawn” and “Zzzz” as boring events seem to have the effect of making me yawn and feel sleepy, whether this be a uni lecture or a meeting or sometimes, even going out somewhere!

I have already made a start on my next page after completing another which I will share next time!  If you would like to see them in advance of my blog post then head over to my Instagram where I usually upload pics of the pages as I have finished them!

You Are Here! Form and Data Collecting!

I am currently working on a project looking at Pontypool, the map of the area and memories associated with places in and around the local area.  I am asking people about their favourite place/location and memories they have of the place in order to create a new kind of map.  In order to capture the data I am asking people to fill out a simple form (below) or pop in to the space we are currently residing in, (Stall 21 in Pontypool Market, (also known as Mellor Management/The Incubator) to give us your favourite places and share memories and put your mark onto the map!

If you can’t pop in for whatever reason, the form below can be filled in and will be sent directly to myself to add data for you!

Thank you for your time and information!

You can follow the project at http://www.artreviewed.wordpress.com orhttp://www.projectpontypool.wordpress.com,or  pop and visit us at Stall 21 (Mellor Management/The Incubator) in the market

The project so far…

You Are Here Mas Intervention

Putting Your Mark On The Town (Map)

Don’t forget to check back regularly for updates on how this project is shaping up! :D

You Are Here! Form and data collecting!

I am currently working on a project looking at Pontypool, the map of the area and memories associated with places in and around the local area.  I am asking people about their favourite place/location and memories they have of the place in order to create a new kind of map.  In order to capture the data I am asking people to fill out a simple form (below) or pop in to the space we are currently residing in, (Stall 21 in Pontypool Market, (also known as Mellor Management/The Incubator) to give us your favourite places and share memories and put your mark onto the map!

If you can’t pop in for whatever reason, the form below can be filled in and will be sent directly to myself to add data for you!

Thank you for your time and information!

You can follow the project at http://www.artreviewed.wordpress.com or http://www.projectpontypool.wordpress.com,or  pop and visit us at Stall 21 (Mellor Management/The Incubator) in the market

The project so far…

You Are Here Mas Intervention

Putting Your Mark On The Town (Map)

Don’t forget to check back regularly for updates on how this project is shaping up! 😀

Photographs!

I have just taken 2 rolls of film!!!!  One black and white medium format (120mm) film in my Holga and one 35mm colour in my Diana.  This might not be much to most people but to me this is amazing as I don’t really take photos any more, I like to see what I do as ‘Creating Images’.  Hopefully I can develop them tomorrow and at least get contact sheets made so I can see what I have got and if they are any good and share them on here!  These images I have just taken are experiments for my new project about Voyeurism and Surveillance.  Ideally I would love to take the images with a Polaroid camera (like this or this  ) as I think that the photographs they produce, both in quality and feel would fit right in with my project but for the moment I have taken photos with 120mm and 35mm just to see what effects I can get from these before, perhaps, purchasing *another* camera!

Artist and Technical Research – Insomnia Project

 

Anton Guilio and Arturo Bragaglia – Photodynamic Typewriter

When I realised that I wanted to do something with long shutter speeds and capturing movement in a single photo I started looking at artists who had done similar work.  Photodynamic Typewriter by Anton Giulio and Arturo Bragaglia was one of the first pieces that I looked at and felt a connection with.  I liked the ideas behind the movement Photodynamism -‘ included the use of high key lighting and long exposures to capture sudden (movement) gestures in a way that depicts movement as an indivisible reality, rather than a sequence of static poses’ (http://www.answers.com/topic/futurism-and-photography )

  

 

 

 

 

 

 

 

 

 

These two images were taken in a similar way, by Eugene Atget, Paris Fantome is to the left and an image from ‘Images of Paris’ is on the right.  Eugene Atget used the techniques of photodynamism to capture the feelings and movements and character of Paris and its streets.

  

 

 

 

 

 

 

Hiroshi Sugimoto used long shutter speeds to ‘record’ whole films in his work “Theater’s” through the 1970’s .  The movement in the film is rendered obsolete, as a rectangle of white, the light burning the image away.    The duration of the shots is set by the length of the film, and although the images were made when the theaters were full, because of the duration that the shutter is open, most audience members go unrecorded.

 

TECHNIQUE

Long exposures need – low light conditions

– Low ISO

-High F stop

– long shutter speeds of 10 secs or more.

Long exposures mean that the shutter is open for longer, recording any movement that happens between the shutter opening and closing.

 

 

Insomnia – The Final Edit

 

This is the final edit of my images for the summer project “Insomnia”.  I had these printed out at 8″x10″ at Asda (http://www.asda-photo.co.uk/).  They were displayed in the above order side by side in uni.  I was really surprised and also disappointed to realize that the work we had done over the summer wasn’t going to be graded or marked as such.  The images were intended to open discourse, if we wanted.  I did get to speak about my work but not in great depth, and I got asked questions too, some of which came from people who hadn’t read the accompanying Artist Statement which describes our work, what we did, how we went about it and what we were trying to capture, it is there to provide further understanding to the work and background information along with any further information that  may be relevant.  I set out to capture feelings about insomnia and how it affects me, I have found that my insomnia is caused mostly by subconscious anxiety and there isn’t much I can do to cure it, I have also learned how to shoot in lit, night-time conditions to capture movement and I am happy with the images I produced.  My understanding of aperture, ISO and shutter speed has been made clearer and I have other things that I would now like to try in the future.

 

All images shot with Pentax K2000, edited with Photoshop CS3 and printed by Asda.

Damien Hirst – Tate Modern

I went away at the weekend to go and see my favourite artists work on exhibition at the Tate Modern in London!  For uni, part of our summer work was to visit an exhibition and write a review of it! So, here is the review I wrote (and have just finished!!!)…

 

Damien Hirst

Tate Modern

4th April – 9th Sept 2012

The first thing that hits you when you enter the exhibition of Damien Hirst’s work at the Tate Modern is the smell.  Something lingers in the air, something that is vaguely familiar, the smell of household paint, then a musty odour of cigarettes, a chemical smell that I can’t place and something else.  Musty, old, decaying…Death, it’s that smell that follows you around, through the 14 rooms that house works of Damien’s, from his earliest spot painting to the room that contains cabinets of manufactured diamonds.  It seems that themes of death, religion and science are everywhere; you become aware of your own mortality, especially in room 3 when you are faced with that shark in formaldehyde, otherwise known as “The Impossibility of Death in the Mind of Someone Living”.  Pictures viewed in books and images of this installation do not do it justice, the glass acts to create an illusion of movement, causing the tiger shark inside to move about, curve and follow you around, your mind screams out that it is still alive through the movements it has tracked but common sense kicks in and you can see that it is dead.

There is noise too, not just in the visitors passing through the exhibits but the motors that turn the Spin Paintings in room 8, which also houses 2 pieces of work that rely on air, “Loving In a World Of Desire” – a beach ball suspended mid-air above a brightly painted box that houses an air blower, and the hum of the hairdryer in “What Goes Up Must Come Down”.  The only room that seems church quiet is room 14 which houses the work “The Incomplete Truth” – a dove suspended in a tank of formaldehyde and a pale spot painting “Remembrance”.

Logic wants to work overtime when viewing the spot paintings that are exhibited in room 1 and 2.  In room 1 the earliest spot painting can be seen, it is not clinically done as the later spot paintings are, clean rows and columns, the first is a messy, dribbly, affair with spots of paint marked as splodges that run down the canvas and appear still wet, having that glossy, wet look of household gloss paint.  But from this you can see the ideas already forming for later works which can be viewed in room 2.  These later works cause my eyes to dart about the canvas, trying to seek out patterns and a logic, which is a fairly impossible task as no two colours are exactly the same and no two colours appear side by side, or above and below, twice in any of the spot paintings.  Given that some of these paintings are huge, and the dots tiny, that is no mean feat.  It is clear to see how Damien developed his ideas and his love of colour in these works.

The first whiff of death that confronts us comes from “A Thousand Years”, housed in room 2.  It consists of 2 tanks side by side and joined, one houses a white box with holes in it that contains maggots, they hatch and fly away, making their way to the attached tank which holds a skinned head of a cow, hanging from the ceiling is a fly zapper with a tray below it.  The flies are drawn here, crawling over the head, feeding, reproducing and dying, the unlucky ones getting zapped to death before their bodies are caught on the tray below.  This work questions our life cycle and mortality; it brings everything into simplicity, and creates a cycle of its own.

Flies feature in Damien’s work further along the exhibition, in room12, where “Black Sun” hangs on the wall, the same smell of death and decay hovering around it.  This work is made of dead flies and resin, which until closer inspection it is hard to tell, at first I thought it may have been tarmac as it had the same texture but the smell gave it away.  It is hard to look at this work in a joyous way, it is a grim illustration of death, there is nothing happy about it, not like with other works of Damien’s which explore death.  It leaves you wondering about what happens once you have left this earth.

In contrast are the murals made to look like stained glass windows taken from churches.  These bright, pretty pieces are in fact, made up from butterfly wings that have been pressed into wet paint.  There is a different feeling to these works, even though they contain dead parts of insects, like “Black Sun” they have a joyous feel to them, one that seems to give hope after death.

Other images of death can be seen in “Mother and Child Divided” (room 9) where a cow and her calf have been cut from head to tail, dividing them into left and right parts which have been placed in four separate tanks.  The title of this work plays on the relationship between mother and baby and also the brutal reality that they have been divided, left from right, right from left.  It is possible to walk through the cow and calf and view all their insides and outsides.  This way of exhibiting felt much like the way things are displayed in biology, so that you can learn about the parts of the animal and get a good look at everything.

Further work of Damien’s which touch upon science are “Hymn”, a giant sculpture of an anatomical structure of the human body, the first work to be viewed by visitors at Tate Modern.  This work is placed outside the main entrance and is viewable from quite a distance.  This links in to Damien’s fascination with pharmaceuticals and surgical implements which can be seen throughout the exhibition, namely in room 10 where installations of cabinets full of surgical implements are on show and also in rooms 2(medicine cabinet – “Sinner”, pill cabinet “Lullaby”), and room 10 (Trinity – Pharmacology, Physiology, Pathology), not to mention the room set up as an actual pharmacy (room 7).  On viewing these works I couldn’t help but find contradiction to the view that Damien’s work is all about death, surely medicines, teaching aids and surgical appliances are about curing, prolonging and helping survival?

The circle of life has already been addressed in Damien’s work “A Thousand Years” displayed in room2.  This is re-addressed in rooms 5 and 6 where the idea remains the same but is illustrated with butterflies.  “In And Out of Love (White Paintings and Live Butterflies)” and “In And Out Of Love (Butterfly Paintings and Ash Trays)” is a two part work, room 5 houses canvases painted with bright colours and decorated with dead butterflies wings, and room 6.  In room 6 canvases hang on the walls from which huge butterflies hatch, their amniotic fluids that seep out when they hatch, drip down the canvas leaving coloured stains.  The butterflies move round the room gracefully swooping through the air, feeding on fruit that is left out, resting on the plants, before dying.  This work, although on the same thought lines as “A Thousand Years” seems more beautiful and poignant an illustration of the life cycle, the flies in “A Thousand Years” seeming more violent a description of life and death.

Death and religion are visited one final time in the quietest room of the exhibition, room 14.  This is where “Remembrance” and “The Incomplete Truth” are housed.  As you walk through from room 13 into the doorway of room 14 you see a dove, wings outstretched, hovering in a tank of formaldehyde.  The dove is symbolic in religion as hope, peace and the Holy Spirit, behind it is the palest spot painting edged in gold.  It is a beautiful sight, serene and peaceful; it offers a hope that there is more to life than just living and dying and is a brilliant way to finish the exhibition.

Insomnia – Further Photos

 

 

Test Shot 1…  I took to see what effect the settings were going to have on the overall image, that the camera was positioned correctly and to check that everything I wanted was in the frame.

 

 

This is the image showing movement.  I am not entirely happy with this image as it seems to show the movement as a bright glow in the center of the bed rather than actual blurred movement.  I have thought about maybe re-shooting this but moving around more slowly or even editing it in Photoshop to see what it is like in black and white.

 

 

I have moved the camera in this shot and went straight into shooting without first doing a test shot…sometimes I get a bit carried away!  This is why the test shot comes further down… I am still unsure about this image and am having the same problems with it as the above shot.  None of these images have been edited in any way yet, they are straight from camera so perhaps playing around with them in Photoshop may help, if not I can try a re-shoot.

 

 

 

This image seems to capture movement a bit better with some hazy “ghost” parts to the image.  I am happier with this image than the previous images.  When I took this image I checked the last image and decided on the spot to re-shoot and moved around a bit slower to see if that made any difference.

 

 

 

Test Shot 2… If I had done the test shot first I think I would have chosen to move the duvet out of the frame completely and maybe remove some of the clutter in the background before shooting…  Worth noting for next time!

 

 

 

Test Shot 3 … I moved the camera again and took a test shot to see if the framing was ok, as with the above test shot, I think I should have removed the duvet completely from the shot as I am now finding it to be distracting along with the background clutter.

 

 

 

I am much more happy with how this image has turned out!  It is more along the lines of what I was expecting.  The image has some nice movement trails in it which I think have been helped by a different camera position, however I think that the camera and tripod were set up too close to the bed as the background is blurry which could have been caused by camera shake, I’m not sure if this matters too much with the overall image but I am tempted to re-shoot..  I really would like to convert this to black and white to see what it would look like!!!!

 

 

 

Test Shot 4… Again, I should have moved the duvet and the clutter from under the bed and in the background.  Really like the framing of this shot though!

 

 

 

This image, as the one above, works for what I set out to capture and is along the lines of what I expected.  In hindsight I would have moved the duvet as it is a large distraction for me personally.

 

 

 

This image is even better in terms of what I wanted to create.  I think that this camera angle helps to capture the movement as trails and ghosting really well!

 

 

 

Test Shot 5… Clutter beside the bed….

 

 

 

Test Shot 6… Still clutter but better in terms of distraction.  I think I should re-shoot this angle again and remove all items from the frame as they are still distracting.

 

 

 

This image is a bit too ghost like for me.  There is no real suggestion that the light parts of the bed are a person, to me it looks like a camera fault.  However, I am keen to see (again) how this would look like in black and white.

 

 

Again, I’m not entirely happy with this shot as there is not enough movement recorded.  I think it may be down to camera angle and shutter speed so I may have to re-shoot.

 

 

 

Another shot I did using the same camera angle as the shots above…  This one is marginally better than the ones above but only slightly.  I’m still not sure on the camera angle for this shot or how movement has been recorded.

 

 

Test Shot 7 … Another different camera angle, checking the framing of the shot.  I think that the clutter on the bedside cabinet should have been removed as it is distracting.